GILLIAN McIVER

3

Everything is art. Everything is politics. You can call it art or non-art, I don't give a damn"- Ai Weiwei

  • "Nam June Paik: Retrospective" A-N Feb 2011
  • I Am Here ” Critical Cities vol. 2 ed. Deepa Naik & Trenton Oldfield, Myrdle Court Press 2010
  • "Stefanos Pavlakis: Artist of the Month" Axis Sept 2010
  • “Over site? Site Specific Art Today” Arts Professional Jan. 2010
  • “Overflow: Ima Pico and the digital mural” Catalogue essay for Overflow, an exhibition by Ima Pico, Milton Keynes Contemporary 2009 [read]
  • Schematic catalogue essay 2008 [read]
  • “Interconnection” in Triangular Wheel vol.4. 2006. Editor Mikhail Pogarsky
  • “Interconnection: Life and Art in a Forgotten Russian Town” published Crosswalk vol1 issue 2 2005
  • “Intervention & Imagination in the Fragmented City: Luna Nera in Belfast” 2005 read
  • “Art as Collective Cultural Action: art groups and collaborative practices” published Contexts, autumn 2003
  • “Lab Rats for Art” article in Year 01 Forum winter 2002
  • “Artist Initiatives in Moscow” article in Variant 15, Summer 2002
  • “Framing the 20th Century” article in Year 01 Forum spring 2002
  • “Media and the Spectacular Society” Hypermedia Research Centre 1998

Papers / Presentations:

  • “Podcasting, Art and the digital economy” Digital Media 1.0, La Nau, University of Valencia 2008
  • “The 30-second Dilemma: the fall and rise of video art” University of Valencia 2006 [read]
  • “Permanent Experiment: site-responsive art practice in context” British Art Show 06 Sideshow Symposium, Nottingham 2006
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  • “Artistic Experimentation & Urban Change” Accademia dell Arte Roma 2005
  • “Collaboration as practice: Luna Nera, collective action and experimentation” Collision University of Victoria Canada 2005
  • “Playing in/on the urban desert” Champ Libre Montrèal, 2004.
  • “Luna Nera: Art as Site response” Hull Time Based Arts, Critical Platform. 2004.
  • “Art/Site/Context – site specificity and localities” Ruskin College, University of Oxford, 2003.
  • “Time-based art, Bio-architectures and Urban space” ISEA 1998.

Critical articles:

Writing for Interface: [read]

 

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